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  Dialectic Interactive Approach:

Methodological Reasoning DIA Comprehending of the (Recti)linear Space and Time, understood AS SOMETHING OUTSIDE OF 'US'

(Recti)linear Creative Framework for the Orientation in Time AND Space

VERSUS

Dialectical Creative Framework for Orientation in the Eternity of Times DIA Infinity of Spaces

Dialectical Creative Framework for Orientation in the Eternity of Times DIA Infinity of Spaces

DIA

Dialectics of Dialectics DIA Negations of Negations

The Unity and Exerting of Dialectical Tensions in Time DIA Space

DIA

The Four Primary DIA Proto Paradigmatic Presumptions of the Dialectic Interactive Approach

This methodological approach is based on the dialectical way of thinking. To be able to understand this cluster of the creative articles, related to the concept of the Dialectical Interactive Approach VERSUS the existing (ruling) (recti)linear dynamical approach, it was assumed, thou had already finished with the reading the "Introduction into Dialectic Interactive Approach" and "The Used Notions" at the first place. On the other hand, to be able to understand the source of (mathematical) ideas DIA a dialectical view on THE CONCEPT OF SIMPLE MIND (shown on the left side), it is not a bad idea to be read briefly over the creative article "Static DIA Dynamic Math reflected through Prism of the Dialectic Interactive Approach". Actually, it is enough to be read a few starting paragraphs, and then only watch the images and illustrations by paging down (scrolling) the creative articles. Or more simply said, ATTEMPT DIALECTICALLY TO SYNTHESISE the imprinted words (read text) with the left impressions of the seen pictures and illustrations in thy inner being DIA inmost one to be (cap)able in this way properly to follow and understand the creative articles devoted to the dialectical interactive approach.


Methodology is a very complex topic. Actually, it is one of the most complex dialectical contents for figuring out the true point of it. On the other hand, if thou managed to conceive, comprehend and understand the ESSENCE OF A METHODOLOGY, thou are going to have at thy disposal a very powerful tool for disclosing unknown in time DIA space, either by creating a new knowledge, or by the deepening an existing one. By the way said, the introduced dialectical interactive approach is actually a deepening DIA THE DIALECTICAL SYNTHESISING of the existing knowledge of dialectics, which in time DIA space accumulated DIA kept (alive) was. In other words, the existing written knowledge of dialectics was used in the form of BUILDING BLOCKS of the developed of dialectical interactive approach, and then as the next step, on this fundament there were revivified by putting this dialectical creatively interactive content in the right dialectical context, the missing links of this pre-ancient creative methodological approach. As a final result of it, the preserved (endured) knowledge of dialectics was reconnected in time DIA space with these left behind traces of the hidden (lost) pre-ancient knowledge.


Apart from this, in full accordance with this pre-ancient dialectical methodological approach to creating a new DIA deepening of existing knowledge, it was emphasised the SYMBOLICAL MEANING of the left PICTURESQUE imprints, impressions and traces in time DIA space of this hidden (lost) knowledge. In other words, it was used as some kind of linguistic "pictographic script" for an advanced way of the CREATIVELY INTERACTIVE communication in TIME [future, emotively emotional dia physical presence, past] DIA SPACE [spirit, mind dia reason, matter] during the process of creating knowledge. A good example of this linguistic "pictographic script" is the picturesque presentation and interpretation of the three basic dialectical principles, aspects, properties and manifestations in (of) time DIA space. Who of you could think that a so simple picturesque presentation of these four antique substances (fire, water, air, earth) has SOMETHING TO DO with the three basic dialectical principles, aspects, properties and manifestations in (of) time DIA space? In short, this PICTURESQUE display of the worlds of dialectics is the major feature that distinguish the dialectical interactive approach from other methodological approaches.

Introduction into Dialectic Interactive Approach

Couple Dialect: Thesis DIA Antithesis

Dialectic Interactive Approach

Dialectical Creative Framework for Orientation in the Eternity of Times DIA Infinity of Spaces

The Concept of the Living God

THE CREATIVE EXPANSES OF A FOUR - TRIANGULAR STAR


As a result of all this, the developed dialectical interactive approach is an UNIQUE methodological approach, just because of its picturesque linguistic approach, which allows that a very complex methodological content to be relatively quickly adopted and understood without use of too many supporting words. Just watch the shown graphical (and animated) illustrations in the creative articles and enjoy in such an easy way of learning. In spite of the fact that a dialectical approach, due to its dialectical features, is the most appropriate and suitable for the emulation of any living environment, it has not been supported in the scientific (methodological) reality. The reasons for it are the building blocks of dialectical way of thinking, such as it:

thesis

  • searches for dia waits for antithesis, due to the postulate of the dialectical way of thinking that nothing (with)in the world of dialectics of His is able to exist DIA to be created without simultaneous existing both time and space, and that the time and space as well, is not able to exist without each other, all dialectical relations within dialectical interactive approach were presented as COUPLE DIALECTS, understood in sense of thesis and antithesis,


ANTITHESIS

  • [puting again (and again) under dialectical consideration in time DIA space, any kind of manifesting (natiocratic) absolute (current and hopefully temporal) truth],


dialectical synthesis

  • [giving possibility of conceiving, comprehending, understanding OF SOMETHING],

DIA a TEMPORAL conclusion in (of) time DIA space

  • [the ultimate and absolute judgment belongs to the God],


three basic dialectical principles of dialectics

  • [comprehending how functions and comes into being CHANGE in the living reality],


that is, all these notions haven't properly fitted, (neither in the past nor) in the existing established NATIOCRATIC ideological, political, social and economical reality.

Implications of the Conflict within the Simple(st) Mind

Bipolar DIA Binary Way of Thinking

Debtor's DIA Debt Economics: Part - 1

Ultimate Upshot of the Rectilinear and Traditional Dialectic Way of Thinking within the Rectilinear Space and Time: "PRESENT TIME", as An Ultimate Upshot of the Binary "OR - OR" Choice between the TWO Bipolar Dialects - Abandoned Hollow and Present Time


From these reasons, the priority has been given to the far more simpler (for control) rectilinear methodological approaches, such as, inductive (and-or) deductive method, as well as to the systematic and profitable utilisation of the methodological approaches, based on the mob DIA group way of thinking, such as, (mechanical) system approach, network approach and the like. In other words, there were even not made any efforts to be developed an applicable dialectical methodological approach, in spite of the methodological limitation of the RECTILINEAR conceiving of the space and time, which both demands and ALLOWS that each initiated dialectical process within this methodological environment, due to this determination, HAD TO BE ended by an ultimate synthesis. In other words, such an eventually developed dialectical approach would be still within the methodological limits of the fundamental postulates of the mob DIA group way of thinking, that is, it would be very appropriate for any modern natiocratic political system. Comparing this rectilinear methodological scenario in time DIA situation in space with the developed dialectical INTERACTIVE approach, this kind of the rectilinear dialectical approach might be graphically illustrated and presented by A TRIANGLE, that is symbolically enough to be described and understood the utmost purpose of this kind of the initiated dynamical processes. Anyway, all this has to be finished with making STATIC AGAIN on the very end of it by an ultimate synthesis, and this ending situation in time and space is all that counts (is important) in the rectilinear binary way of thinking.

Introduction into Dialectic Interactive Approach

Couple Dialect: Thesis DIA Antithesis

Dialectical Comprehending the Time DIA Space: The Concept of the Dialectical Universe

The Endless Dialectical World of a Six-Pointed Star in Time DIA Space


On the other hand, within the developed dialectical interactive approach, the initiated dia-processes of a thesis (triangle) DIA antithesis (the opposite triangle), are ALWAYS ended with a dialectical synthesis, symbolically presented in its wholeness with a six-pointed star (the couple dialect) DIA THE RENEWED THESIS [respectively temporal conclusion at the very end of each dialectical creative debate]. This ending methodological scenario in time DIA situation in space (temporal conclusion) has been symbolically presented by a hexagon, situated within this six-pointed star. As a result of this DIALECTICAL methodological approach, this temporal conclusion might be easily continued by confrontation of its (synthesis DIA renewed) thesis with a renewed (supplemented) antithesis of the ripe time DIA space. Note, here is not point in the struggle of the (multitude of) thesis and antithesis but in the mutual CREATIVE complementing and supplementing of each other during the initiated dia-processes. This re-continuation of the initiated dialectical process has been SYMBOLICALLY presented by the drawing of a new six-pointed star within the inner hexagon (at this moment DIA place, already an ex-temporal conclusion) of the bigger six-pointed star and so on endlessly in time DIA space. In other words, for this graphical presentation was used the PRE-ANCIENT perceiving and awareness that within each hexagon can be drawn a six-pointed star and vice-versa. This essential feature (of dialectics) is valid and applicable FOR EACH KIND OF STAR, allowing within these star-like creatively interactive frameworks to be presented and taken place dialectical processes of different levels of complexity, as well as the giving possibility to be creatively combined and dialectically synthesised with each other. More about it, it can be read in the last three creative articles, within which were considered the methodological issues of the developed dialectical INTERACTIVE approach. READ: "Dialectic Interactive Approach: The Methodological Creative Framework".

Culture DIA Religion

The Background Simulative Methodological Assumptions of the Dialectic Interactive Approach

DIA

The Methodological Creative Framework

The Ultimate DIA Probable Methodological Presumptions of the Dialectic Interactive Approach


Apart from this, by the help of the developed dialectical interactive approach, it can be understood, what the author of any (creative) work TRULY DIA GENUINELY wanted to say to her / his readers, by going methodologically (far) behind and beyond of its basic assumptions and presumptions, on which the presented (creative) ideas were based. In order to be achieved it, a prerequisite is the revelation of its consisting methodological simulative assumptions and ultimate presumptions (or of the creative DIA methodological limitations, if you so will), on which the (creative) work founded was. Here, it is very important to be emphasised, each methodology that has been based on the distinction GOOD from evil, is in fact A COUNTERBALANCE TO ANY IDEOLOGY. This essential issue (subject of dispute) and requirement, to the opinion of this creator of knowledge, was best compounded in the Holy Books and Scriptures. Just pay thy attention to the CULTURAL, artistic, philosophical and scientific imprinted deepness in the time DIA space of the CREATIVELY embedded and applied citations by this creator of knowledge, both in the creative works and in the creative articles. No any doubt, the ideological proponents of the established natiocratic order, would like very gladly to get rid of this dialectical interactive content, by WIPING IT OUT forever, from the memory and remembrance of people. In other words, they want to be prevented development of (cap)abilities of this kind LONG-TERM dialectical synthesising of such an enormous span of time DIA suitable range of space (THOUSANDS OF YEARS), that encompasses and cross-bridges both past and future DIA thy creative (emotively emotional) dia physical PRESENCE, and not only in terms of their conceiving and understanding of the notion "future", captured and considered within the creatively very limited "container" of the (recti)linear dialect - present time.


Or uttered it in another way, by using this powerful methodological tool, thou are able to unmask and reveal the true nature of any developed ideology that was also demonstrated in the noted down creative works and articles. In particular, it is true for the developed dialectical interactive approach, because it is based on the REDEFINED time (future, EMOTIVELY EMOTIONAL PRESENCE dia physical presence, past) DIA space (SPIRIT, mind dia reason, matter). Apart from this, and in accordance with this methodological approach, each dialectical content (subject) during the phase of consideration should be reflected DIA simulated through the prism of the (highest ideals of) philosophy, science, culture and art. In short, if there is a way and method, by using the previously mentioned (linguistic) dialects, to be in the best mode approached the (absolute) truth IN EARTHLY TERMS, then this possibility enables the dialectical interactive approach.

Dialectic Interactive Approach

Dialectical Creative Framework for Orientation in the Eternity of Times DIA Infinity of Spaces


Recall, dialectical interactive approach considers any dialectical content in terms of the multitude of thesis DIA antithesis (of the couple dialects), in purpose, to be dialectically synthesised at the very end of the initiated dia-processes into a synthesis DIA THE RENEWED THESIS (respectively, temporal conclusion), which by definition allows a (re-)continuation of this endless process in time DIA space, by confronting it, sooner or later, by (a multitude of) the accumulated RENEWED ANTITHESIS in (of) time DIA space, understood in terms of both the future and PAST. In other words, in this initiated endless dia-process in TIME DIA SPACE, there are enough places DIA moments for the participation DIA FACTUAL CREATIVE PRESENCE, not only of the existing (still living) actors but also of the actors DIA THEIR GREAT (SPIRITUAL) IDEAS AND THOUGHTS of the gone past, as well as of actors, who will one day cross the threshold of this great creative stage. A great stage, intended and created in purpose of creating (pre)conditions for a FAR MORE HUMAN(E) clash of ideas, thoughts ... within the reintroduced MEDIUM - mind DIA presence, using available linguistic dialects of this revivified methodological approach. Such a broad, deep and all-comprehensive creative platform doesn't offer neither of the existing methodological approaches. READ, "Dialectic Interactive Approach: The Concept of the Dialectical Time DIA Space versus The Concept of (Recti)linear Space and Time". All this previously mentioned, was a reason, why the dialectical interactive approach was met by so much resistance of the ideologists DIA rulers of the existing established world order. Keep in thy mind, to my opinion, based both on the past and the existing (own) experience, any societal, social, political, economical, .... order, developed on the NATIOCRATIC PRINCIPLES AND CORRESPONDING SYSTEM OF VALUES, neither endure NOR TOLERATE ANY KIND OF THE TRUE DIA GENUINE ANTITHESIS. Bingo!

The Symbol of the Human(e) Genus

The Human Being


Creator of knowledge BoBan wishes thou having nice time DIA space in this already revealed world of dialectics. Hope thou will like it and who knows, perhaps thou also get courage, uttered in terms of TRUTH, trust and love of His, to push off thyself DIA the undertaking corresponding CREATIVE journeys through this eternally lasting time DIA endless spaces of worlds of dialectics, using dialectic interactive approach. But never forget, from time DIA space to the (right) time DIA (the right) space to get out from this fascinating creative world back into these wonderful earthly expanses, a creation of His. Keep thereby in mind, it is thy creative duty to come back through the invisible but emotively-able and sensible point-puncture (spore) in time DIA space, from which thou began thy creative travelling. By the way said, the creative journays through time DIA space are the most interesting of the all imaginable voyages, because in this way can be brought its inhabitants the latest Good news DIA first drops of the (continually) renewed and refreshed knowledge (in DIA by) time (Future, PRESENCE, Past) DIA space (SPIRIT, MIND, matter)!


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