Dialectical Synthese DIA "G" → The Renewed Thesis in the Time DIA Space
The Background Simulative Methodological Assumptions of the Dialectic Interactive Approach
In this creative article, the three basic dialectical aspects, principles, properties and manifestations in time (of time) DIA space were deeper reconsidered from the standpoint of the dialectical interactive approach. In other words, as the static presentation of thesis, antithesis and synthesis DIA the renewed thesis was made dynamical DIA dialected by placing a particular dialectical content in the creative framework for the orientation in TIME DIA SPACE in order to transform its static properties in the interactive ones, and then, as the next step this creatively interactive content was metamorphosed in this dialectical way in the creative dialects, something similar was done with the three basic dialectical aspects, principles, properties and manifestations in (of) time DIA space. By reviving the lost PICTORIAL way of presentation of this complex dialectical content, it was shown in successive series of pictures the whole flow of these utterly complex dialectical processes, understood in terms of the unrolling dialectical way of interactively creative acting (interplay) of these three basic dialectical aspects, principles, properties and manifestations in time DIA space. In addition to this, it was also presented in a picturesque way, how they were maintained in the eternity of times DIA infinity of spaces of the world of dialectics as well as in which way they proceed from one another: 1’ (the first) basic dialectical principle at a new Higher Level of this encompassed time DIA space. In short, a very complex dialectical content for conceiving, comprehending and understanding, as it the METHODOLOGY by definition is, was significantly simplified by this picturesquely pictorial way of expression.
To the opinion of this experiential traveler through time DIA space, even a child (Luke-10:21-24), who can read DIA to conceive the read over, has now been able to comprehend and understand the essence of the notion methodology, by watching all these shown pictures (graphical illustrations), that is, to grasp what it is about. Of course, under condition, if it was allowed to her, him by various "professors" of methodology. As an example, try to read the most of books related to the methodology. Hope, it will not be difficult to notice that most of them avoid showing how the developed methodological (creative) framework could be applied in living reality. On the other hand, pay thy attention, how this creator of knowledge, by authentically following fundamental principles of the revived pre-ancient APPROACH to the interactively creative way of discovering the unknown (the spotted challenge) in time DIA space, shows how the dialectical interactive approach, could be implemented in the living reality. Apart from this, the full third creative work of his, in a continuous development, was exactly done in this "practical" purpose. Keep in mind, in the pre-ancient time DIA space, anything theoretically created without being demonstrated by her/his creator, how it could be implemented in the living reality, was ignored, having no practical value, and for this reason, it was not taken seriously into any further creative consideration.
Three Dialectical Principles in the Classic and Antique Philosophy
Johann Gottlieb Fichte and Georg Wilhelm Friedrich Hegel did not use the term three "laws of dialectics". In spite of that, it is easy to find parallels in some passages of their works, which might refer to these three "laws of dialectics". Anyway, these three laws of dialectics were derived by Friedrich Engels from his reading of Hegel's Works:
- The law of the unity and conflict of opposites (Anaximander dia Heraclitus);
- The law of the passage of quantitative changes into qualitative changes (Anaximenes dia Aristotle);
- The law of the negation of the negation (Hegel).
These three laws of dialectics were afterwards ideologically adapted and embedded in scientific materialism (by Marx) using dual ⇢ bipolar ⇢ binary way of thinking: idealism VERSUS materialism ["Marx turned Hegel upside down" VERSUS “Hegel turned Marx right way up”]. It would also become a part of later representations of Marxism as an ideology of dialectical materialism.
Although Fichte introduced into German philosophy the three-step of thesis, antithesis, and synthesis, Hegel, who was influenced by Fichte’s work, never once used these three terms together in any of his creative works. Instead of this three-step model, he did use a three-valued logical model: Abstract-Negative-Concrete. On the other hand, the presented dialectical triad (by this creator of knowledge) of thesis, antithesis, synthesis DIA the renewed thesis, supplemented antithesis..... until the temporary conclusion of the time DIA space is achieved, was inspired by and evolved after unraveling dialectos of Plato: Timaeus.
|.... Out of the indivisible, eternally unchangeable Existence (ellipse) and also out of the divisible, changeable Existence of the physical world (rectangle), He placed a third kind of Essence (triangle) to intermediate between them.||again with the Same (water) and the Different (air) He made, in the same way, compounds to intermediate between their indivisible element (fire) and their physical and divisible element (earth): and taking these three components (ellipse, rectangle, triangle), He binded them into single form (six-pointed star), compressing by force the Different (water), which was by nature reluctant and allergic to mixture (back to back position: ◄►), into the union with Same (air), and mingling them with the Essence, in this way out of three made one (whole)…...||He then took the whole fabric and cut it down the middle into two strips, which He placed crosswise at their middle point to form a shape like the letter X; …….|
Hope, in this Plato's divisible, changing Existence of the physical world (rectangle) are also recognizable four elements (fire, water, air, earth) in action [The First Dialectical Principle, Aspect, Manifestation and Property in Time DIA Space] because according to Plato, "The construction of this world (all and everything) used up the whole of each these four elements. For the Creator constructed it of all the fire and water and air and earth available ...." In short, apart from Plato, the way of thinking of Empedocles of Acreages in Sicily (490 – 430 B.C), who was not aforementioned (by Hegel and Engels), had a much greater impact on the development of dialectical interactive approach. An inspirational thought of Empedocles is also his famous sentence that
- love attracts and unites, strife repels and divides, and the everlasting elements of earth, water, air, and fire are governed by the sway of love and strife (among these four elements).
By the way, to the opinion of this creator of knowledge, this is the most authentically formulated dialectical interpretation of the first dialectical principle, aspect, manifestation, and property of the dialectical understanding of time DIA space: The Unity and Struggle of Opposites in Time DIA Space. As for the Engels' third law of dialectics (The Law of the Negation of the Negation), in the dialectic interactive approach it was substituted by the "Everything in Time DIA Space undergoes Development and becomes its Own Dialectical Opposing (Contradiction)", and became a part of the "quartet" (three dia one) of the Dialectics of Dialectics DIA Negations of Negations. But despite all this previously said, keep always in mind that only Plato (for sure), from the all aforementioned antique and classical thinkers, was initiated into the secrets of the Egyptian hidden knowledge, understood in terms of a meeting point, because this interpretation of the three basic dialectical principles, aspects, manifestations and properties of the dialectical understanding of time DIA space is also based on the (lost) higher knowledge (of dialectics).
THE FIRST DIALECTICAL PRINCIPLE, ASPECT, MANIFESTATION AND PROPERTY OF TIME DIA SPACE
The Unity and Exerting of Dialectical Tensions in Time DIA Space
The Four Primary DIA Proto Paradigmatic Presumptions of the Dialectic Interactive Approach
This first dialect, known in dialectical methodology as "The unity and struggle of the dialectical opposites in time DIA space", was picturesquely illustrated on the same way as the "Primary DIA Proto dialectical paradigmatic presumptions DIA assumptions". READ: "Dialectic Interactive Approach: The Methodological Creative Framework". In other words, by these four pre-ancient dialects (fire, water, air, earth) were presented their interactive acting in the state of an imaginative dialectical equilibrium ("statics") understood in terms of creatively spanning these methodological worlds with their dialectical manifestations of time (in time) DIA space. Keep in mind, within the worlds of dialectics there is no absolute inaction but always some kind of motion dia change, for example, on the edges of these four elements. Just try by watching this picture to sense and feel the exerting of dialectical tensions between and among these four elements, although they are in a state of dialectical unity. To cut this long story short, the initiated dia-processes are actually dialectically synthesised (absorbed) by the invisible acting of dialectics of dialectics, understood in terms of negations of negations of the accumulated quantative dialectical contents (with)in this dialectical creative framework DIA their unobservable dialectical interplay in time DIA space. In this dialectical creative framework, which is based on the hidden knowledge, these four pre-ancient dialects were presented by four triangles DIA crosswise merged, and picturesquely illustrated within a square (rectangle). By the way, this image was imprinted DIA impressed in the ground plan of Cheops'(Khufu’s) pyramid, and in similar buildings of other ancient civilisations, who wanted in this way to perpetuate this dialectical interactively creative content.
THE SECOND DIALECTICAL PRINCIPLE, ASPECT, PROPERTY AND MANIFESTATION IN TIME DIA SPACE
This second dialect, known in dialectical terminology as "The transition, transformation, metamorphoses and transfiguration of the quantitative and qualitative accumulation in time DIA space into a higher (renewed) quality", was picturesquely illustrated by two different ways of dialectical manifestation of the eight-pointed star [Fruits Not Bringing DIA Stunted Eight - Pointed Star VERSUS Germinating DIA Potentially Fruit- Bearing Eight-Pointed Star], which will result at the end of these initiated dia-processes in the form of emerging a rhomb (rhomboid) VERSUS a twelve - pointed star. In short, the highest dialectical quality (understood in terms of good) was reached, and symbolically presented by the twelve-pointed star VERSUS the lowest dialectical quality, symbolically represented by a rhomb (rhomboid). Although the focus of a dialectician is always directed to the positive way thinking DIA creative acting, thus distinctly distinguishing good from evil, for example, the achieving a (higher) quality (understood in terms of good) in (of) time DIA space (spirit, mind, matter), it does not mean that every time someone's creative endeavoring ends with a positive final result by the dialectics (of dialectics) set in progress. Keep in mind that in the worlds of dialectics were also imprinted DIA impressed different (dark) endeavoring, quantitative dialectical contents, counter-endeavoring DIA counter-acting, as well as everything else possible. In other words, all these considerations, understood in methodological terms, must pass through the sieve DIA sieves of dialectics (of dialectics), which were set in a continuous progress in time DIA space.
The Unity and Struggle of Dialectical Opposites in Time DIA Space
The Four Primary DIA Proto Paradigmatic Presumptions of the Dialectic Interactive Approach
Fruit NOT Bringing DIA Stunted Eight - Pointed Star
Parallelogram - A Barren Dialectical Upshot: Blind Alley
Parallelogram: Potentially a Fruitful Dialectical Upshot
Perhaps a New Opportunity?
Seen from the (methodological) perspective of the ETERNITY of times DIA INFINITY of spaces of the WORLDS OF DIALECTICS, sooner or later, all such QUANTITATIVE, less qualitative, disqualitative (unqualitative) DIA unsuccessful (understood in terms of bad DIA evil-minded) transitions, transformations, metamorphosis and transfigurations of quantitative and qualitative accumulation DIA this second fundamental dialectical principle, property and manifestations of dialectics (of dialectics) in time DIA space, after setting in the progress corresponding dialectical creatively interactive processes, understood in terms of the four dialects of the first dialectical principle, property and manifesting in (of) time DIA space, will result, in accordance with this re-introduced pre-ancient wisdom DIA symbolically and pictorially be represented by a ("four-faceted dual-pointed") STUNTED DIA UNFRUITBRINGING eight-pointed star, followed by appearance of a rhomb (rhomboid). This FRUIT NOT BRINGING star was pictorially represented by a "deformed" form of the eight-pointed star. This "deformed" form of the eight-pointed star emerged as a result of SETING IN MOTION (DIA transformation of) these four triangles in time DIA space, symbolically represented by the four pre-ancient elements (dialects): fire, water, air, earth. The aforementioned clearly demonstrates, in contrast to the classical interpretation of the second basic dialectical principle, that motion alone [dia (quantitative) change] cannot produce (higher) dialectical quality. And this is a great contribution of this revived pre-ancient methodological approach to dialectical thought. For this reason, dialectical interactive approach clearly distinguish motion (dynamics) from the qualitative change (dialectics), which is blurred in the classical school of dialectics.
In the living reality, by this type of the eight-pointed star can be presented DIA interpreted (conjured up) the scenario in time DIA situation in space when, for example, a seed fallen on a rocky (fruitless) ground was forced to germinate. In short, it was not learned (prepared) in the required extent to ABSTAIN, that is, to wait for the right (GOOD) time DIA space to come on the light of the day (into being). Recall, in accordance with the DIALECTICAL understanding of TIME [future, emotively emotional dia physical presence, past] DIA SPACE [spirit, mind dia reason, matter], the dialect - spirit DIA the dialect - emotively emotional presence (THESIS) needs the dialect - matter in order the dialect - physical presence (ANTITHESIS) to be (again) embodied (come into being), understood in terms of dialects - future DIA past (SYNTHESIS), within the MEDIUM - mind dia reason (DIA THE RENEWED THESIS), that is, to be created (regenerated and renewed) this medium of time (THE RENEWED ANTITHESIS).
- This brief methodological consideration of a very complex
dialectical content clearly indicates that the essence of this problem (CHALLENGE) in time DIA space is not in the
well-known bipolar DIA binary dilemma (spirit OR matter), because if it was a case, then the committing suicide would
be an effective solution to it (Luke - 4:9-13). But such an attitude towards the meaning of life DIA death was not observable,
neither in the ancient and antique world of heathens, nor in the world of flora and fauna but only present in terms
of individual cases
in the neo-secular (religious) world of modern pagans.
On the contrary
to this simple-minded (neo-secular) tendency,
everywhere in the worlds of dialectics of God is still perceivable by all five senses the STRUGGLE FOR SURVIVAL
DIA the prolongation of kind (genus). On the other side,
by the sixth and seventh sense,
each living being (of God) is capable of having a presentiment of the meaning of this continual struggle (to divine). By
carefully reading these creative articles it is also easy to understand,why this trend prevails so significantly.
In short, the core of this dialectical challenge in eternity of times DIA infinity of spaces is in the STRUGGLE BETWEEN GOOD and evil, which takes place within the INNER DIA INMOST BEING. And first afterwards the detrimental "by-products" of this inner struggle are manifested in the external living, working.... reality. From this reason, the distinguishing GOOD from evil is the main postulate of the dialectical interactive (methodological) approach. Seen from this dialectical perspective, a better approach is the finding some way for getting rid (herself, himself) of the accumulated evil over time DIA space, instead of the barren and illusionary attempts of getting rid of the dialect - matter (body), chasing the external evil in the world (Matthew - 23:25-26) around you [space and time, understood AS SOMETHING OUTSIDE OF "US"], inside of others (Matthew - 7:1-5) .... everywhere, but not there, where the core of problem (challenge) is. In short, this is a typical behavior of each simple - minded (and godless) person.
On the other hand, putting in focus cultural, philosophical, artistic and scientific consideration of these hidden, enormous (but neglected) inner (creative) expanses (spaces and times) is another important feature of the dialectical interactive approach. Anyway, in accordance to this human(e) way of thinking, since the "evil part" of the inner being DIA inmost one [kingdom of ??, as your "loyal fellow-traveler" (accompanist) within the worlds of dialectics] cannot be removed in a PHYSICAL (material), normative.... way, the best approach is its inner purification and enlightment (Matthew, 12:33–37) DIA accumulation of light - fuel (Matthew - 25:8-9), as it all religions of God teach, although they recommend different ways of achieving it. Keep always in mind, this is the first step DIA prerequisite for a potential (later re-) illumination DIA re-enlightenment of a human being in time DIA space (spirit, mind, matter).
In either case, this seed, fallen on the unfruitful ground, was compelled in this desperate (bitter) way to refresh its inner kingdom (being) in order to revive the spirit by this short-evitive breath of life because the "light" (fuel) was missing within its "kingdom". The alternative to this option is, for example, the refreshing body DIA to appease the hunger of some other living creature, to be dehydrated on the sun's heat, or to be undertaken any kind of risk, understood in terms of waiting. For example, to be blown away by the wind, washed down by the rain ...., on the more fruitful ground for the life DIA similar (risky) scenarios DIA situations in time DIA space. In either case, there will be no fruitful seed, as a dialectical creative result of the eventual blossoming DIA bringing its fruits. Perhaps, some next time (DIA space). For example, the next year, there is a new opportunity for the blossoming DIA bringing fruit. Remember, seen from the perspective of the dialectical (creatively) interactive approach DIA suitable way of thinking, wherever there are proto dialects - earth (thesis) and fire (antithesis), there are (already) hidden, or can be created dialects - water and air as well, and vice versa. This unwished barren (dialectical) scenario DIA situation in time DIA space was SYMBOLICALLY presented by a parallelogram, that is, by a rhomb or rhomboid, depending on the extent (precision of measuring) of this failure. In short, the DYNAMIC (quantitative) properties and aspects [of the rectilinear time AND space] prevailed (dominated) compared to the corresponding DIALECTICAL (qualitative) ones, by coming into being of this deformed form of the eight-pointed star.
The Four Primary DIA Proto Paradigmatic Presumptions of the Dialectic Interactive Approach
Germinating DIA Potentially Fruit- Bearing Eight-Pointed Star
On the other hand, seen from this methodologically perspective, the second, normal (qualitative DIA potentially fruit-bringing) type of the eight-pointed star was formed by the imaginary imaginative growth (spreading) inside the protective membrane (dialectical creatively interactive framework) of these four pre-ancient dialects (fire, water, air, earth), by dialectically pervading each other within this captured time DIA space. This easily can be conjured up, by taking as an example, a seed while growing (swelling) in the fertile ground, waiting for the (right) moment to germinate. Seen from this METHODOLOGICAL perspective, in this way was demonstrated the second principle DIA manifestation of the dialectics (of dialectics) in the living reality, understood in terms of transition of the qualitative transformation of DIA to the gradual metamorphosis of the seed into the (grown-up) plant, in this concrete case under consideration. But the main difference between these two stars, seen from the dialectical perspective, is that this qualitative type of the eight-pointed star (POTENTIALLY FRUITBRINGING DIA FRUITBEARING) can generate DIA a further dialectical motion (growth) in time DIA space a twelve-pointed star (of HIGHER QUALITY DIA NEXT STAGE OF DEVELOPMENT: BEARING OF RIPE-FRUITS). This clearly shows that only simultaneous (inner) growth (dialectical interactively creative expansion), supported by setting in motion at the right time DIA suitable space these four pre-ancient (COMPRESSED) dialects (fire, water, air earth), allows the creation (coming into being) even a higher quality, compared to the above described (DYNAMICAL) motion (expansion) of these four dialects without previous (preliminary) INNER preparation.
A Blossomed, Potentially Ripe Fruit - Bearing Twelve - Pointed Star
During the growth (expanding) of this twelve-pointed (FRUITBEARING) star in time DIA space, the interesting stage (of development) is appearance of the octagon within it (flourishing), meaning that (within it) can be pictorially displayed another eight-pointed ("BLOSSOMED DIA POTENTIALLY FRUITBRINGING and FRUITBEARING") star. It is not difficult to guess what is the next phase of this creatively interactive development ("fruit bringing"), during this kind of the dialectical creative traveling through time DIA space. In other words, it emerges a twelve-corner (12-gon) inside the core of this star, within which can be picturesquely displayed a twelve-pointed (FRUITFUL DIA BREED-ABLE) star DIA its own twelve-corner. In this way, there were again opened a recognizable door for undertaking a corresponding creative journey through this twelve-pointed DIA twelve(tri)angled world of dialectics. Do not allow to be misled, by considering this dialectical content without a deeper insight in this initiated time DIA space, to fail perceiving the point of the previously elaborated dialectical content that by these four proto-primary dialects set in motion DIA growth, this dialectical world was limited by the span of time DIA suitable range of space of this twelve-pointed star (understood in terms of its further qualitative DEVELOPMENT).
In other words, to you, and at the first place to the proponents of the concept of simple(st) mind, (to no one) has been limited in methodological terms the number of dialects on the presented four ones, if the previous dialectical content was not enough to be conjured up the (three) basic dialectical methodological properties, aspects, principles and manifestations in time DIA space in any "other-pointed DIA different-pointed" world of dialectics. Apart from the presented dialectical content, there are also other (methodological) ways of entering into the port of the twelve-pointed DIA twelve-cornered (-triangular) world of dialectics, and thus by definition in any other world DIA stage of the development of dialectics. For example, in the 24-pointed DIA 24-cornered (-triangular) world of dialectics. Because the twelve-pointed star consists of the two dialectically qualitatively synthesised six-pointed stars in time DIA space, it means the twelve-pointed star can also be formed by the qualitative dialectical synthesis of (any) two six-pointed stars in time DIA space: Act of joining (putting together) two dialects DIA creative fructification (fecundation) in time DIA space. Seen from the dialectical metodological perspective, the outcome of this dia-process is a dialectical synthesis DIA the RENEWED THESIS, understood in terms of the confirmation of the basic properties, aspects and manifesting of the third dialectical basic principle. In short, by the QUALITATIVE dialectical synthesising two twelve-pointed stars, or four six-pointed stars, can be created a 24-pointed star DIA 24-cornered (triangular) world of dialectics, and for this reason any other one by using this dialectical methodics DIA appropriate methodological procedure.
THE THIRD DIALECTICAL PRINCIPLE, ASPECT, PROPERTY AND MANIFESTATION OF TIME DIA SPACE
Fruitful DIA Potentially Germinating Four-Pointed Star
The Unfruitful Rhomb / Rhomboid
This third dialect, known in the dialectic methodology as "Everything in time DIA space undergoes development DIA the suitable changes and becomes its own dialectical opposing DIA contradiction", was picturesquely illustrated with two different ways of dialectical manifesting the four-pointed star: Fruitful DIA Potentially Germinating Four-Pointed Star VERSUS The Unfruitful Rhomb / Rhomboid. During the further dialectical procession of this twelve-pointed star in time DIA space, understood in terms of its metamorphose
- [continually getting older and older, this fruit-bringing (fruit-bearing) DIA (slowly) dying, as tree, which does not bring anymore fruits (with seeds)]
in the four-pointed star DIA multitude of small four-pointed stars
- (representing fallen down fruit DIA the "dying" seeds),
the interesting phase of development is, when within this four-pointed star again appeared the image of the octagon. In other words, it means that inside it can be pictorially shown an eight-pointed star
- [POTENTIALLY germinating DIA fruit-bringing (fruit-bearing) DIA THE LATER FALLEN SEEDS IN THE FRUITFUL GROUND (SOIL, in the best case)],
opening again a recognisable (previously mentioned) door for the creative traveling DIA the dialectical epitomising (the synthesising) within this (potentially higher) eight-pointed world of dialectics DIA its octagon's world of dialectics
- [(understood) in terms of the bringing even more fruitful seeds DIA trees and fruits in the course of time DIA space: Compare DIA dialectically synthesise this octagon with the graphical illustrations of "The Dialectical Creative Framework for Orienting in the Eternity of Times DIA Infinity of Spaces" VERSUS "(Recti)linear Creative Framework for the Orientation in Time AND Space"].
Fruitful DIA Potentially Germinating Four-Pointed Star
The Unfruitful Rhomb / Rhomboid
The interesting is also the detail that just from such a four-pointed star and from such a larger four-pointed star, which in the meanwhile "disappeared" in the eternity of times DIA infinity of spaces of the world of dialectics
- [just by the previously presented falling down of a fruit with its seed from the rich fruit-bearing crown of the ancestor-tree DIA picturesque and imaginable presenting of its own falling down, as a fruit with seed, once upon a gone time DIA space],
has been re-generated in sense of dialectical (continual re-) synthesising DIA revivifying in time DIA space, the previously described qualitative DIA fruit-bearing eight-pointed star. Its image still can be perceived DIA conjured up inside of this octagon. In other words, the prevailing these (hopefully already spotted) deviations and distances in (of) time DIA space was methodologically presented in the developed dialectic interactive approach as the TIME IN SPACE
- [future within spirit, that means, in this symbolically way were presented less / smaller (and more less / more smaller ... "vanished") and far more remote ("more greater / larger ...) DIA the slowly re-appearing and"]
manifesting of that four-pointed star, understood in terms of the intuitive and sensible (emotively emotional) conceiving, comprehending and understanding this dialectical interactive content DIA SPACE IN TIME
- [(embodied) matter within past, that is, symbolically presented, a greater / larger ("and more greater / more larger ... more easily visible) DIA far more closer ["and less and less necessary .... for revivifying: by naked eye visible trees all around you"] manifestation of "this" four-pointed star. In other words, this dialectical interactive content is perceivable and conceivable DIA is observable by the so-called five "modern scientific" senses].
Four-Triangular Star, as the culmination of the Acting of Three Basic Dialectical Principles, Aspects, Properties and Manifestations in the Time DIA Space
THE CREATIVE EXPANSES OF A FOUR - TRIANGULAR STAR: Potentially REGENERATION Prolific Star DIA ("Self"-)Transfering of the LIFE, by words of Plato
A Twelve-Ponted Star representing 2 FERMIONS consisting of the TWO Dalectically Synthesised * 6 Six-Pointed Stars:
2x3 DIA 3x2 LEPTONS - QUARKS, A static cross section in time DIA space
The last stage of this continual dialectical procession is appearance of the "four-pointed" (, opening within itself again the (starting) square (rectangle)
- [the ground plan of Cheops' pyramid],
in which can be again placed the four "Primary DIA Proto dialectical paradigmatic methodological presumptions"], that means, the four pre-ancient substance (dialects: fire, water, air, earth). In other words, by this four-triangular,
- [a LIFE-VITAL ("SELF"- giving) DIA LIFE ("SELF")REGENERATING STAR, because according to Plato, the four primary DIA proto elements (dialects: fire, water, air, earth) pass on to each other, as it appears, in an unbroken cycle the gift of birth],
was again opened the way for acting THE FIRST fundamental dialectical principle, aspect, properties and manifestations in time DIA space (1') on a higher (and higher) level, and thus by definition for the acting two other principles, aspects, properties and manifestations in time DIA space. Note too that by this last stage of this continual dialectical procession
- [ the dialectical (methodological) creative framework for the conceiving of LIFE and the general happenings in the living reality. Pay your attention, on already omnipresent various SCIENTIFIC QUARTETS of the Dialectics of Dialectics DIA Negations of Negations, such as, for example:
- representing the building a living cell from sugar (thesis) and phosphate (antithesis), and tied by the FOUR base pairings: adenine ↔ thiamine and guanine ↔ cytosine [multiple dialectical synthesises understood in terms of the DIALECTICS OF DIALECTICS DIA NEGATIONS OF NEGATIONS of this creatively interactive dialectical content in time DIA space],
- the four physical forces (gravitational force, electromagnetic force, weak nuclear force and strong nuclear force) and so on,
- as well as the various triplets DIA pair - dialects (2 fermions * 6) within the quantum world of dialectics (2x3 DIA 3x2 leptons ↔ quarks),
- within the dividing (proliferation) of cells in a living organism,
- within a (bio)chemical synthesis and the like.
- Source: "Traces of Dialectics in Time DIA space – Methodology for Creating Knowledge - Impact of the Ancient Wisdom on the Modern Science, Jovanović, 2001"]
DIA appearance of the four-triangular [(RE)GENERATION ABLE] star from the deepness, remoteness and wideness of this (dialectically methodological comprehending) time DIA space was PICTURESQUELY DISPLAYED and presented not only the ground plan of (Cheops') pyramid, but now are visible all four (methodological) drafts DIA plan of its triangular (flank) sides (set in horizontal). For the finding the (true) reason of building Cheops' pyramid there are already many interpretations. The previously uttered dialectical content is, according to this creator of knowledge, a creative one (antithesis), that means, it was done by the old Egyptians in purpose of eternalisation of this presented pre-ancient dialectical approach: As a crucial part of THE HIDDEN (LOST) KNOWLEDGE. Keep in mind, by a further initialisation of the related diaprocesses, a whole universe could be filled up with these DIALECTICAL STARS. Particularly, an universe, where there is no death, as it firmly believed Egyptian pharaohs. And from this reason to the Egyptian pre-ancient pharaohs to be buried within such an eternal construction sounded very alluring and attractive. In order to be preserved this privilege within the cycles of the family, they married their sisters. All other ones, according to these PRE-ANCIENT pharaohs, had to get through the underworld of dead ones, and only souls of the righteous ones will get into this four-triangular universe of pharaoh. Later, after the disappearance (fall) of these ancient pharaohs, as well as by vanishing of this (higher DIA accumulated) knowledge, followed by coming on the throne of these "new", better-known dynasties of pharaohs, it was stopped, not only with the building of these eternal pyramids but it was changed the meaning of the Egyptian religion as well, understood in terms of getting (fall) these pharaohs too through the underworld of dead (lower) ones.
Higher School of Dialectics of Four Dialects
Primary School of Dialectics of Two Dialects
Dialectical Creative Framework for Orientation in the Eternity of Times DIA Infinity of Spaces
Seen from this dialectical perspective, the point of the afore said is that apart from the possible starting DIALECTOSES of these four-dialects' of the "higher school of dialectics" within this "ground plan of pyramid", simultaneously, can be refreshed the stuff learnt in the "primary school of dialectics" of the two-dialects, symbolically represented by the (dialectical interplay of) six-pointed stars. In other words, by creating from the two triangles of this four-triangular ("CREATIVE-VITAL") star by thy choice, within which the four pre-ancient elements (dialects) were kept and ennobled all the time DIA suitable space, understood in terms of their SYMBOLICAL motion dia transformation, will come into being the two six-pointed stars during this dialectical (creatively interactive) procession: Two beings, species, creatures, .... molecules, atoms, quants ... (potentially COUPLED) dialects DIA dialectuls in the eternity of times DIA infinity of spaces of the world of dialectics. By the dialectical synthesising of these two dialectical interactively creative processes also begins the "highest school of dialectics", where the major theme under dialectical creative (re)considering are Dialectics of Dialectics DIA Negations of Negations, which will sooner or later discriminate DIA discern
- [within dialectical sieves set in progress DIA initialisation of the corresponding (interactively creative) dialectical processes]
whether thy scientific, cultural, philosophic and artistic (simulative) choice, understood in terms of genetic, physical, bio-chemical, marriagial, sexual, ... thematic, social, adventuristic, ....
- [(multitude of DIFFERENT AND DIVERSIFIED) choices DIA (the given freedom of choice DIA) the will]
proto-primary DIA paradigmatic choices
- [understood in terms of distinguishing Good from evil],
have been the right choices DIA truly good one, respectively bad DIA truly evil one, if you so will to be said,
- [ultimately DIA probably methodologically dialectical creative upshots]
understood in terms of final result in / of time DIA space of this dialectical (interactively creative) content under consideration. Concluding this dialectical interactively creative content, keep always in mind that the previously mentioned recognisable
- [in a twinkling DIA partly]
opened dialectical doors, and the differently created positions DIA states of triangles set in the dialectical motion as well, are the very important orienteers during any kind of the undertaken journey within the eternity of times DIA infinity of spaces of the world of dialectics, including the fascinating creative travelings.
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