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 An Introduction to the Dialectic Interactive Approach

Culture DIA Religion

The Background Simulative Methodological Assumptions of the Dialectic Interactive Approach


The Ultimate DIA Probable Methodological Presumptions of the Dialectic Interactive Approach

The Ultimate DIA Probable Methodological Presumptions of the Dialectic Interactive Approach

The development of the Dialectical interactive approach (DIA) can be divided in three continual phases. In the first creative work of his: "Netmode – the Strategy for 21st Century – Dialectical Interactive Approach, Jovanović, 1999", by this creator of knowledge were presented basic methodical procedures and techniques of this methodological creative framework and introduced the basic notions of this methodological approach. In the next creative work of his: "Traces of Dialectics in Time DIA space – Methodology for Creating Knowledge, Jovanović, 2001" the development of the Dialectical interactive approach was completed. In addition to this, it was in details elaborated the possible impact of this methodological approach on the modern thought and knowledge as well. Keep in your mind that the first creative work was written as a general proposal for a potential Ph.D. dissertation at the Copenhagen Business School, so by definition, revealing the complete terminology was not feasible because of the well known scientific barriers. As a consequence of it, this methodological approach was not completed. It seems, even mentioning the notion SPIRIT in the redefined time DIA space, was too much to the members of the study committee for the selection of competent (ideologically appropriable, pertinent and suitable) candidates.

  • Actually only the main method of the creative interaction of the dialectic interactive approach [thesis, antithesis, synthesis DIA the renewed thesis .... temporal conclusion] and these Ultimate DIA Probable Methodological Presumptions clustered around the Dialectical Creative Framework for Orientation in the Time DIA Space, were developed, but not as elaborated in detail.
  • In this potential P.H. Dissertation at the Copenhagen Business School, Denmark (year, 1999), neither God, or citations of the Holy Books and Scripture were mentioned nor the (creative) freedoms, the established system of natiocracy based on the 'natural selection' .... of theirs were criticized. The only term or abstract notion which catches the eye is the dialect-SPIRIT, which was used to redefine the existing understanding of time and space. But it seems this was too much for them as well as probably jealousy because my master thesis has already surpassed most doctoral dissertations in creative sense. For this reason, my view (attitude) towards culture and art, as well as in some way towards philosophy and science was wrapped (hidden) into small dialectoses for practicing dialectical thinking, for example, mentally - emotional intelligence.
  • In spite of all this, there is a catch, that is, this dialectic interactive approach requires the higher level of achieved development of the consciousness of the inhabitants of the considered social environment. First of all, a majority of people is not capable of thinking in terms of the "quartet" of a triad of (3) dialects DIA their unity and oneness (1) because they were drilled and tamed from generation to generation to think in the simple-minded way of the Dual (AND-AND) ⇢ Bipolar [OR-OR] ⇢ into Binary (OR) Way of Thinking, manifested in the everyday reality as: for us - against us, yes - no, true - false, 0 - 1, black - white and the like.
  • In short, they do not need other way of thinking, because by initiated processes of a further vulgarization of masses, their various narrow-minded interests and objectives is much simpler to carry out in a social, political, business reality, that is, in the life reality. In other words, in such natiocratic environments, although you seemingly have two options (yes-no, for example), your social status (money) simply determines your choice and answer to this false dilemma [similarly to the freedom of choice in the kingdom of animals].
  • To cut this long story short, because of this abundance of their choices, they simply can expand the offered assortiment on this bipolar line of theirs as much they want, or as necessary is, [much more than this dialectic methodological creative framework offers], as well as to add various flavors (of freedoms, loves, truths....) to the offered creative products and used notions... put into these two BLACK-WHITE baskets of theirs.
  • Anyway, just try to imagine and conjure up yourself the creative courage of this emerging creator of knowledge to make such a PH.D proposal, that is, to write a comprehensive business, social .... strategy for the 21st century.

Two years later (2001), by getting rid of these well known scientific shackles, so characteristic for the simple(st) mind [Mind Simply for the Conveying and Distributing (of the created knowledge)], by this creator of knowledge were not only added the prior mentioned missing links of the Dialectical interactive approach, but the first true creative work of his was noted down.

Dialectical Creative Framework for Orientation in the Eternity of Times DIA Infinity of Spaces

Dialectical Creative Framework for Orientation in the Eternity of Times DIA Infinity of Spaces

Since the showing by the creator (of) knowledge personally, how the developed theoretical concept should be implemented in the living reality is the crucial part of the pre-ancient simulation's approach (applying the existing knowledge of philosophy, culture, art, science) to the discovery of unknown in time DIA space, the third creative work "World of Dialectics versus Multidimensional Space – Dialectical Interactive Approach in Use, Jovanović, 2002 - 20??" has being written in this purpose. Dialectic Interactive Approach (DIA) was based on the pre-ancient hidden knowledge DIA wisdom of God, preserved in the Holy Books and Scriptures, and other ancient and antique books as well, which survived this period of knowledge vulgarity. Bear in mind, that this period of the rule of darkness is still present, the dark stings of which, this creator of knowledge has tasted and still experiences this on the "own skin", and no doubt, it will last until finally from the ruling (creative) scene disappears, or at least to be pushed back into the dark corner, the way of thinking of proponents of the simple(st) DIA vulgar mind. And just this has been full meaning of the creative actions and acting, understood in the sense of the assigned life mission to this creator of knowledge, better known under his creative name Boban.

In short, by the dialectic interactive approach, based on the developed dialectical creative framework for orienting in the eternity of times DIA infinity of spaces, as a result of the made redefinition of mega-dialect time [future, (emotively emotional) presence dia (active and creative physical) presence, past] DIA space, [spirit, reason dia mind, matter], can be also redefined, as creative examples, basic principles of the (static) everyday and dynamic math from perspective of the dialectical math, as well as quantum physics and cosmology, giving a clear creative signal that everything else could be redefined using these renewed methodological fundaments. In this graphical illustrations were displayed by this website creator the left behind traces and imprints of this pre-ancient methodological approach to discovery of the unknown in time DIA space, in a pictorial and picturesque way of the revivifying this content, taken from the creative works of the creator of knowledge: BoBan. Hope you will like it, although these images are actually simple screenshots of the creative contents, done by the MS-word processor's tools.


The original meaning and interpretation of dialectics or wisdom of God was partly preserved in the learning of creators of knowledge, who creatively acted and created in the antique Greece. After the antique age this ancient knowledge and learning "suddenly" disappeared. In other words, this approach ceased to be used as the main (leading) method in the science and philosophy. A coincidence? I'm not sure. First in the 18-19th. century some aspects of this wisdom reappeared in philosophy, particularly in the works of German (Gothic) philosophers and thinkers. By reading used notions, as well the terminology used during development of this methodological approach, you are also (cap)able of easier understanding, what actually dialectics is and what it about is.

But the most important is to comprehend and understand that its basic features, properties and manifestations in time DIA space are: transition, transformation and metamorphose, and transfiguration as well, as the highest achieved dialectical state of all them in time [future, emotivele emotional presence dia active and creative physical presence, past] DIA space [spirit, mind dia reason, matter], including the spiritual re-enlightenment DIA illumination as well. The statics as well as dynamics, though they are constitutive dialects of the dialectic interactive approach, are not even in the approximate sense so valuable and qualitatively significant, except in sense of the dialectical (creative) contents used for initialisation and putting in movement the dialectical interactive processes in time DIA space, the (only) meaning DIA culmination of which is precisely the dialectics. The Dialectics is not only superior in qualitative sense, it is present quantitatively everywhere around you, and within you as well. In other words, anywhere you see the couple dialect of any statics DIA dynamics, there dialectics has been already present, regardless which way of thinking is used or prevails. Just cast a look around you!

Dialectics of Dialectics DIA Negations of Negations

The Unity and Exerting of Dialectical Tensions in Time DIA Space


The Four Primary DIA Proto Paradigmatic Presumptions of the Dialectic Interactive Approach

and so on, until was reached stage of the development of

The Concept of the Living God


In the available (philosophic) texts related to the thema of dialectics, compared to this re-vivified methodological approach, is only recognisable a part of this great picture. In other words, within these noted down and left behind traces and imprints of dialectics in time DIA space, are only recognisable mindual (philosophical) aspects this dialectical interactive process, such as use of dialogue in Plato's creative works, for example. In the revivified dialectic interactive approach the focus was put on the worlds of dialectics, and which specific world of dialectics will be considered depends on the dialectical content under consideration, understood both in terms of the largest (biggest) (universe, for example) and the smallest / least (quantum world, for example). Hope, no need to be emphasised that between DIA within these two broad, far and deep spans of times [future, presence, past] DIA spaces [spirit, mind, matter] might be considered in the same way anything else.

The similar case is also with the four terrestial ancient elements: Fire, water, air, earth. If you read the available texts related to the interpretation of the role of these ancient four elements, it will be perceived the focus was put on the properties of matter observed in the nature. On the other hand, in the re-vivified pre-ancient methodological approach, as a consequence of the redefined mega-dialect space (DIA time), the focus has been put on their SIMBOLICAL meaning during any initiated dialectical creatively interactive process. From this reason, their symbolic meaning is (omni-)present in the each picture as well as in their methodological whole, in this re-vivified dialectical interactive approach. In other words, perceiveable, either in terms of the used colour or as a dialect (interactive consisting part). Just pay thy attention on the shown creative dialects, while watching the presented illustrations of this pictorial methodological approach in all written creative articles.

This vividly PICTURESQUE display of the world of dialectics is the major feature that distinguish the dialectic interactive approach from other methodological approaches. Or more simply said, each time when you, for example, see these four SYMBOLIC DIALECTS placed within a rectangle (square) divided by a diagonall cross, this will associate thee on the first dialectical principle, aspect, property and manifestation in TIME DIA SPACE, without any need to be supported this dialectical content with the corresponding words: "The unity DIA exertion of dialectical tensions in time DIA space". On the other hand, when there were perceived dynamic DIA dialectical images of them in TIME DIA SPACE, you will recognise the illustrated manifestations of the other two ones DIA re-appearance of the first one from the deepness of the eternity of times DIA infinity of spaces of the worlds of dialectics of God. The previously uttered methodological DIA interactively creative aspects of dialectics in time DIA space, seen as a methodological whole, were symbolically DIA picturially presented by the pyramid (of Cheops, for example). Just perceive by watching its ground plan (part), within it has already been seen a reflection of this pyramid in time DIA space (whole). READ: Three Basic Dialectical Principles, Aspects, Properties and Manifestations in the Time DIA Space Due to the all above mentioned reasons, to these four dialects was assigned the role of the primary DIA proto dialectical paradigmatic methodological presumptions in this methodological creative framework, introduced by this creator of knowledge.

The Symbol of the Human(e) Genus

The Human Being

Creator of knowledge BoBan wishes thou having nice time DIA space in this already revealed world of dialectics. Hope thou will like it and who knows, perhaps thou also get courage, uttered in terms of TRUTH, trust and love of His, to push off thyself DIA the undertaking corresponding CREATIVE journeys through this eternally lasting time DIA endless spaces of worlds of dialectics, using dialectic interactive approach. But never forget, from time DIA space to the (right) time DIA (the right) space to get out from this fascinating creative world back into these wonderful earthly expanses, a creation of His. Keep thereby in mind, it is thy creative duty to come back through the invisible but emotively-able and sensible point-puncture (spore) in time DIA space, from which thou began thy creative travelling. By the way said, the creative journays through time DIA space are the most interesting of the all imaginable voyages, because in this way can be brought its inhabitants the latest Good news DIA first drops of the (continually) renewed and refreshed knowledge (in DIA by) time (Future, PRESENCE, Past) DIA space (SPIRIT, MIND, matter)!