I hope, these creative articles will shed more light on this puzzling and still beyond understanding dialectical content of the knowledge creation process, because a much broader framework for the creative orientation in the eternity of times DIA infinity of spaces of worlds of dialectics was re - applied, including also the potentially very useful ROLE of the art, philosophy, and culture, understood in terms of their overall application for creative purposes, instead of solo-applying each of them in an “OR-OR” sense, such as for example, the existing scientific findings and (encyclopaedic) knowledge. This method is very useful, particularly when it comes to such strange, mysterious, and unknown dialectical contents, because the (well-known) cultural treasure of humanity provides the needed (too neglected) wisdom of gone times (dialect - past), as well as the abilities of HUMANS (of this already remote past) to retrospectively recollect and revive the impressed and imprinted traces of the already forgotten thoughts in the memory of time DIA space.
Guardian Angel of the Creation and Knowledge
On the other hand, linguistic dialects of art and philosophy provide the necessary ELASTICITY, understood in terms of creating space for creative maneuvering and suitable artistic finesse, during the creative process of creating (new) knowledge, compared to the rigidity of the contemporary scientific (methodological) approaches, what is also necessary during the creative pursuit of such imaginative, vague and ghostly targets and objectives. Keep in mind, there are no SCIENTIFICLY established points (written sources, archeological sites, etc.) in these endless creative vastnesses for easier orientation in this (inner) eternity of times DIA infinity of spaces of the worlds of dialectics.